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Nationalists, cosmopolitans, and popular music in Zimbabwe
Thomas Turino
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Frontmatter
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Acknowledgments (page ix)
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Part One Critical Foundations
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Introduction (page 3)
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One Social Identities and Indigenous Musical Practices (page 31)
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Part Two Colonialism and the Rise of Urban Popular Music
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Two Indigenous Music and Dance in Mbare Township, 1930-1960 (page 63)
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Three The Settler-State and Indigenous Music during the Federation Years (page 93)
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Four The African Middle Class: Concerts, Cultural Discourse, and All That Jazz (page 119)
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Part Three Musical Nationalism
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Five Music, Emotion, and Cultural Nationalism, 1958-1963 (page 161)
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Six Musical Nationalism and Chimurenga Songs of the 1970s (page 190)
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Part Four Guitar Bands and Cosmopolitan Youth Culture
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Seven On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s (page 223)
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Eight Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands (page 262)
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Part Five Globalization Begins at Home
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Nine Nationalism, Cosmopolitanism, and Popular Music after 1980 (page 311)
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Notes (page 355)
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References and Bibliography (page 377)
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Discography (page 391)
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Index (page 393)
Journal Abbreviation | Label | URL |
---|---|---|
ETH | 49.1 (Winter 2005): 120-122 | http://www.jstor.org/stable/20174355 |
NOT | 58.2 (Dec. 2001): 378-379 | http://www.jstor.org/stable/900705 |
RAL | 32.2 (Summer 2001): 209-211 | http://muse.jhu.edu/journals/research_in_african_literatures/v032/32.2mphande.html |
Citable Link
Published: c2000
Publisher: The University of Chicago Press
- 9780226817026 (paper)
- 9780226816968 (ebook)
- 9780226817019 (hardcover)