Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Cecil B. DeMille and American culture: the silent era
Sumiko Higashi
Your institution does not have access to this book. Please try other options.
Are you a librarian? See purchase information.
Are you a librarian? See purchase information.
-
Frontmatter
-
ACKNOWLEDGMENTS (page ix)
-
Introduction (page 1)
-
1. The Lasky Company and Highbrow Culture: Authorship versus Intertextuality (page 7)
-
2. Self-Theatricalization in Victorian Pictoral Dramaturgy: What's His Name (page 34)
-
3. The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape (page 59)
-
4. The Screen as Display Window: Constructing the "New Woman" (page 87)
-
5. The Historical Epic and Progressive Era Pageantry: Joan the Woman (page 117)
-
6. Set and Costume Design as Spectacle in a Consumer Culture: The Early Jazz Age Films DeMille's "Second Epoch" (page 142)
-
7. DeMille's Exodus from Famous Players-Lasky: The Ten Commandments (1923) (page 179)
-
FILMOGRAPHY (page 205)
-
NOTES (page 209)
-
INDEX (page 253)
Journal Abbreviation | Label | URL |
---|---|---|
JAH | 82.2 (Sep. 1995): 792-793 | http://www.jstor.org/stable/2082339 |
PHR | 65.3 (Aug. 1996): 496-497 | http://www.jstor.org/stable/3640042 |
AHR | 101.2 (Apr. 1996): 582 | http://www.jstor.org/stable/2170588 |
FQ | 59.4 (Summer 1996): 43-44 | http://www.jstor.org/stable/1213559 |
Citable Link
Published: c1994
Publisher: University of California Press
- 9780520914810 (ebook)
- 9780520085565 (hardcover)
- 9780520085572 (paper)