Bibliography for HART3226: Architecture and the Modern City BETA

Ackerman, J.S. (2002) ‘On the Origins of Architectural Photography’, in This is not architecture: media constructions. London: Routledge, pp. 26–36.

Apollonio, U. (2009) ‘Introduction in “Futurist Manifestos”’, in Futurist manifestos. New ed. London: Tate.

Augé, M. (2008) Non-places: An Introduction to Supermodernity. 2nd English language ed. London: Verso.

Banham, R. (1960) Theory and design in the first machine age. London: Architectural Press.

Banham, R. and Banham, M. (1999) A critic writes: essays by Reyner Banham. Berkeley, Calif: University of California Press.

Barber, S. (2002) ‘The Origins of the City Film’, in Projected cities: [cinema and urban space]. London: Reaktion, pp. 13–60.

Barbican Art Gallery (2006) Future city: experiment and utopia in architecture. Edited by J. Alison. London: Thames & Hudson.

Bartram, A. (2005) Futurist typography and the liberated text. London: British Library.

Baumann, K. and Sachsse, R. (eds) (2004) Modern greetings: photographed architecture on picture postcards 1919-1939. Stuttgart: Arnoldsche.

Becher, B. and Becher, H. (1988) Water towers. Cambridge, Mass: MIT Press.

Becher, B. and Becher, H. (1993) Gas tanks. Cambridge, Mass: MIT Press.

Becher, B. and Becher, H. (1997) Mineheads. Cambridge, MA: MIT Press.

Becher, B. and Becher, H. (2005) Cooling towers. Cambridge, Mass: MIT Press.

Becher, B., Becher, H. and Bussmann, K. (1995) Industrial façades. Cambridge, Mass: MIT Press.

Becher, B., Becher, H. and Zweite, A. (2004) Typologies. Cambridge, Mass: MIT.

Behne, A. (1996) The modern functional building. Santa Monica, CA: Getty Research Center for the History of Art and the Humanities.

Bellos, D. (1999) Jacques Tati: his life and art. London: Harvill.

Benevolo, L. and Landry, H.J. (1971) History of modern architecture: Vol.2: The modern movement. London: Routledge and K. Paul.

Benjamin, W. (1931) ‘A Small History of Photography’, in One-way street and other writings. New ed. London: Penguin, pp. 240–257.

Benjamin, W. (2008) ‘The work of art in the age of its technological reproducibility: second version’, in The work of art in the age of its technological reproducibility, and other writings on media. Cambridge, Mass: Belknap Press of Harvard University Press, pp. 19–55. Available at: https://contentstore.cla.co.uk/secure/link?id=08fb1fe8-6aa3-e711-80cb-005056af4099.

Benton, T. (2007) The villas of Le Corbusier and Pierre Jeanneret 1920-1930. Rev. and expanded ed. Basel: Birkhäuser.

Benton, T. and Le Corbusier (2015) Precisions on the present state of architecture and city planning. Zurich: Park Books.

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Bold, J. and Hinchcliffe, T. (2009) Discovering London’s buildings: with twelve walks. 1st Frances Lincoln ed. London: Frances Lincoln.

Boone, V. (2012) ‘The Promise of the Radiant City: The Visual Media Campaign for the Unité d’Habitation in Marseille’, in N. Herschdorfer, L. Umstätter, and T. Benton (eds) Le Corbusier and the power of photography. London: Thames & Hudson, pp. 112–133.

Borden, I. (2002) ‘Playtime: Tativille and Paris’, in The hieroglyphics of space: reading and experiencing the modern metropolis. London: Routledge, pp. 217–233. Available at: https://contentstore.cla.co.uk/secure/link?id=97a11cf2-b193-e711-80cb-005056af4099.

Borden, I. (2007) ‘Imaging architecture: the uses of photography in the practice of architectural history’, The Journal of Architecture, 12(1), pp. 57–77. Available at: https://doi.org/10.1080/13602360701217989.

Bredehoft, T.A. (2006) ‘Comics Architecture, Multidimensionality, and Time: Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth’, MFS Modern Fiction Studies, 52(4), pp. 869–890. Available at: https://doi.org/10.1353/mfs.2007.0001.

Bruno, G. (2002) ‘Site-Seeing: The Cine City’, in Atlas of emotion: journeys in art, architecture, and film. New York: Verso, pp. 15–53.

Bryant, J. (2017) Designing the V&A: the museum as a work of art (1857-1909). London, UK: Lund Humphries in association with V&A Publishing.

Cardullo, R. and Tati, J. (2013) ‘The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (An Essay and an Interview)’, Contemporary French and Francophone Studies, 17(3), pp. 357–369. Available at: https://doi.org/10.1080/17409292.2013.790632.

Carlin, J. et al. (2005) Masters of American comics. Los Angeles : New Haven [Conn.]: Hammer Museum and the Museum of Contemporary Art, Los Angeles in association with Yale University Press.

Carullo, V. (2016) ‘Image makers of British modernism: Dell & Wainwright at The Architectural Review’, The Journal of Architecture, 21(7), pp. 1012–1032. Available at: https://doi.org/10.1080/13602365.2016.1230143.

Christenson, M. (2017) ‘Critical Dimensions in Architectural Photography: Contributions to Architectural Knowledge’, Amps [Architecture, media, politics society]. Available at: http://discovery.ucl.ac.uk/1542424/1/AMPS%2011.2.pdf.

Ciorra, P. et al. (eds) (2016) The Japanese house: architecture and life after 1945. Venice, Italy: Marsilio Editori.

Cohen, J.-L. (2008) ‘Introduction to “Toward An Architecture”’, in Toward an architecture. 1st Frances Lincoln ed. London: Frances Lincoln, pp. 1–78.

Colomina, B. (1994) ‘Publicity’, in Privacy and publicity: modern architecture as mass media. Cambridge, Mass: MIT Press, pp. 141–199.

Colomina, B. (1996a) ‘Archive’, in Privacy and publicity: modern architecture as mass media. Cambridge, Mass: MIT Press, pp. 1–15. Available at: https://contentstore.cla.co.uk/secure/link?id=41355a79-7498-e711-80cb-005056af4099.

Colomina, B. (1996b) ‘City’, in Privacy and publicity: modern architecture as mass media. Cambridge, Mass: MIT Press, pp. 47–63.

Colomina, B. (1996c) ‘Museum’, in Privacy and publicity: modern architecture as mass media. Cambridge, Mass: MIT Press, pp. 200–230.

Colomina, B. (1996d) ‘Photography’, in Privacy and publicity: modern architecture as mass media. Cambridge, Mass: MIT Press, pp. 76–139.

Colomina, B. (1996e) ‘Window’, in Privacy and publicity: modern architecture as mass media. Cambridge, Mass: MIT Press, pp. 283–335.

Colomina, B., Buckley, C. and Grau, U. (2010) Clip, stamp, fold: the radical architecture of little magazines, 196X to 197X. [Barcelona, Spain]: Actar.

Colquhoun, A. (2002) Modern architecture. Oxford: Oxford University Press.

Conrads, U. (1970) Programmes and manifestoes on 20th-century architecture. London: Lund Humphries.

Cook, P. and Archigram (Group) (1999) Archigram. Rev. ed. New York: Princeton Architectural Press.

Darley, G. and McKie, D. (2013a) ‘Nairn on Screen’, in Ian Nairn: words in place. Nottingham: Five Leaves, pp. 130–142.

Darley, G. and McKie, D. (2013b) ‘Nairn on Sunday’, in Ian Nairn: words in place. Nottingham: Five Leaves, pp. 113–125.

Darley, G. and McKie, D. (2013c) ‘Nairn’s London and Paris’, in Ian Nairn: words in place. Nottingham: Five Leaves, pp. 90–103.

Darley, G. and McKie, D. (2013d) ‘Outrage’, in Ian Nairn: words in place. Nottingham: Five Leaves, pp. 17–32.

David Campany (2013) ‘Photography and Jacques Tati’s “Playtime”’, Aperture, (212), pp. 56–59. Available at: http://www.jstor.org/stable/24474829.

Deriu, D. (2007) ‘Montage and modern architecture: Giedion’s implicit manifesto’, Architectural Theory Review, 12(1), pp. 36–59. Available at: https://doi.org/10.1080/13264820701553096.

Deriu, D. (2012) ‘Transforming Ideas into Pictures’, in Camera constructs: photography, architecture and the modern city. Farnham: Ashgate, pp. 159–178. Available at: https://doi.org/10.4324/9781315260921.

Dimendberg, E. (2004) Film noir and the spaces of modernity. Cambridge, Mass: Harvard University Press. Available at: https://hdl.handle.net/2027/heb.08248.

Dittmer, J. (2014) ‘Narrating urban assemblages—Chris Ware and Building Stories’, Social & Cultural Geography, 15(5), pp. 477–503. Available at: https://doi.org/10.1080/14649365.2014.908235.

Eliel, C.S. et al. (2001) L’Esprit nouveau: Purism in Paris, 1918-1925. Los Angeles, Calif: Los Angeles County Museum of Art in association with Harry N. Abrams.

Elwall, R. et al. (2009) Framing modernism: architecture and photography in Italy 1926-1965. London: Estorick Foundation.

Émilie Oléron Evans (2015) ‘The voice of art history: Nikolaus Pevsner’s work for the BBC’, Journal of Art Historiography, 13, pp. 1–17. Available at: https://doaj.org/article/94f7db0a96b445aeaecdce7e6621c7b0.

Emmons, P. (2007) ‘Drawn to Scale: The Imaginative Inhabitation of Architectural Drawings’, in From models to drawings: imagination and representation in architecture. Abingdon: Routledge, pp. 64–78. Available at: https://contentstore.cla.co.uk/secure/link?id=5a8903ef-7698-e711-80cb-005056af4099.

Erkki Huhtamo (2013) Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge Massachusetts: MIT Press.

Fenton, J. et al. (2011) Pamphlet architecture 11-20. New York: Princeton Architectural Press.

Fisher, Mark (no date) ‘Visionary Television: “World on a Wire” and “Artemis 81”’, Film Quarterly, 64(2), pp. 58–63. Available at: https://www.proquest.com/scholarly-journals/visionary-television-world-on-wire-artemis-81/docview/822639779/se-2?accountid=14511.

Fletcher, G.S. (1962) The London nobody knows. London: Hutchinson.

Fletcher, G.S. (1973) London souvenirs. London: Allen & Unwin.

Forty, A. (2000a) ‘Language and Drawing’, in Words and buildings: a vocabulary of modern architecture. London: Thames & Hudson, pp. 28–41.

Forty, A. (2000b) Words and buildings: a vocabulary of modern architecture. London: Thames & Hudson. Available at: https://contentstore.cla.co.uk/secure/link?id=9ce72667-7098-e711-80cb-005056af4099.

Forty, A. (2004) ‘Pevsner the Writer’, in P. Draper (ed.) Reassessing Nikolaus Pevsner. Aldershot: Ashgate, pp. 87–93. Available at: https://contentstore.cla.co.uk/secure/link?id=1a4ca675-ccc7-ec11-997e-0050f2f06092.

Frampton, K. (2001) Le Corbusier. London: Thames & Hudson.

Frampton, K. (2015) ‘Finnish Pavilion / Le Pavillon des temps nouveaux’, in A. Simone (ed.) A genealogy of modern architecture: comparative critical analysis of built form. Zurich, Switzerland: Lars Müller Publishers, pp. 197–212.

Frampton, Kenneth (1997) ‘The dialectics of functionalism: Adolf Behne & Sigfried Giedion’, Design Book Review [Preprint]. Available at: https://www.proquest.com/scholarly-journals/dialectics-functionalism-adolf-behne-sigfried/docview/203424264/se-2?accountid=14511.

Georgiadis, S. (1993) Sigfried Giedion: an intellectual biography. Edinburgh: Edinburgh University Press.

Georgiadis, S. (1995) ‘Appendix in “Building in France, Building in Iron, Building in Ferroconcrete”’, in Building in France, building in iron, building in ferroconcrete. Santa Monica, CA: Getty Center for the History of Art and the Humanities, pp. 207–224.

Giedion, S. (1982) Space, time and architecture: the growth of a new tradition. 5th ed., rev.enl. Cambridge (Mass.): Harvard University Press.

Giedion, S. (1995) ‘Iron’, in Building in France, building in iron, building in ferroconcrete. Santa Monica, CA: Getty Center for the History of Art and the Humanities, pp. 101–149. Available at: https://contentstore.cla.co.uk/secure/link?id=d31c1fbd-7898-e711-80cb-005056af4099.

Giedion, S. (Sigfried), 1888-1968. (1948) Mechanization takes command: a contribution to anonymous history. Sigfried Giedion Foundation. Available at: https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01139.0001.001.

Greenaway, P. (no date) ‘The belly of an architect’. [Amsterdam]: A-Film.

Gronberg, T. (1998) ‘Cars and Jars: L’Esprit Nouveau and a Geometry of the City’, in Designs on modernity: exhibiting the city in 1920s Paris. Manchester: Manchester University Press, pp. 114–145.

Gropius, W. (1919) ‘Program of the Staatliche Bauhaus in Weimar’, in The Bauhaus - Weimar, Dessau, Berlin, Chicago. Cambridge [Mass.]: M.I.T. Press, pp. 31–33. Available at: https://contentstore.cla.co.uk/secure/link?id=d2c32007-7c91-e711-80cb-005056af4099.

Gunning, T. (2004) ‘Pictures of Crowd Splendor: The Mitchell and Kenyon Factory Gate Films’, in The lost world of Mitchell and Kenyon: Edwardian Britain on film. London: BFI, pp. 49–58.

Hake, S. (2008) ‘Chapter 7 - Reconstructing Modern Subjectivity: On Berlin, Symphony of the Big City’, in Topographies of class: modern architecture and mass society in Weimar Berlin. Ann Arbor: University of Michigan Press. Available at: http://www.jstor.org/stable/10.3998/mpub.332792.

Harbusch, G. (2015) ‘Work in text and images: Sigfried Giedion’s “Space, Time and Architecture”, 1941–1967’, The Journal of Architecture, 20(4), pp. 596–620. Available at: https://doi.org/10.1080/13602365.2015.1069371.

Hatherley, O. (2010) A guide to the new ruins of Great Britain. London: Verso.

Higgot, A. (2007) ‘The Opposite of Architecture: Archigram and Architectural Design in the 1960s’, in Mediating modernism: architectural cultures in Britain. London: Routledge, pp. 117–152.

Higgott, A. (2007) ‘The Mission of Modernism: James Richards and “The Architectural Review”’, in Mediating modernism: architectural cultures in Britain. London: Routledge, pp. 33–56.

Hilberseimer, L., Anderson, R. and Hilberseimer, L. (2012) Metropolisarchitecture and selected essays. New York: GSAPP Books.

Hitchcock, H.-R. and Scully, V. (1993) Modern architecture: romanticism and reintegration. 1st Da Capo Press ed. New York: Da Capo Press.

von Hoff, D. (2006) ‘The photographic comportment of Bernd and Hilla Becher’, in G. Finney (ed.) Visual culture in twentieth-century Germany: text as spectacle. Bloomington, Ind: Indiana University Press.

Hoorn, M. van der and ABC Architectuurcentrum Haarlem (2012) Bricks & balloons: architecture in comic-strip form. Rotterdam: 010 Publishers.

Hopkins, O. (2017) Lost futures: the disappearing architecture of post-war Britain. London: Royal Academy of Arts.

Hultzsch, A. (2014a) ‘Architectural history from eye-level: Nikolaus Pevsner’s “Treasure Hunts” in “The Architectural Review”, 1942’, The Journal of Architecture, 19(3), pp. 382–401. Available at: https://doi.org/10.1080/13602365.2014.930755.

Hultzsch, A. (2014b) ‘Pevsner vs Colomina: Word and Image on the Page’, in I. Borden, M. Fraser, and B. Penner (eds) Forty ways to think about architecture: architectural history and theory today. Hoboken: John Wiley & Sons, pp. 36–42. Available at: https://ucl.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma9931596139904761&context=L&vid=44UCL_INST:UCL_VU2&lang=en&search_scope=UCLLibraryCatalogue&adaptor=Local%20Search%20Engine&isFrbr=true&tab=UCLLibraryCatalogue&query=any,contains,Forty%20Ways%20To%20Think%20About%20Architecture:%20Architectural%20history%20and%20theory%20today&sortby=date_d&facet=frbrgroupid,include,9013873159386562568&offset=0.

Ian Nairn (1957) Counter-attack against Subtopia. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=UCL_LMS_DS000299321&indx=1&recIds=UCL_LMS_DS000299321&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL_LMS_DS%29&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=Counter-Attack%20Against%20Subtopia&dstmp=1500993440409.

Jacobs, J. (2000) The death and life of great American cities. London: Pimlico.

Jencks, C. and Kropf, K. (2006) Theories and manifestoes of contemporary architecture. 2nd ed. Chichester: Wiley-Academy.

Jones, E. and Woodward, C. (2009) A guide to the architecture of London. Updated ed. London: Weidenfeld & Nicolson.

‘Journal of the Society of Architectural Historians’ (2016), 75(4). Available at: http://jsah.ucpress.edu/content/75/4.

Keiller, P. (1994) ‘London’, London: and, Robinson in space : two films. London: B.F.I.

Keiller, P. (2013) ‘Architectural Cinematography’, in The view from the train: cities and other landscapes. London: Verso, pp. 76–84. Available at: https://contentstore.cla.co.uk/secure/link?id=e3b4a192-3a99-e711-80cb-005056af4099.

Kelly, J. (2016) ‘“To Fan the Ardour of the Layman”: The Architectural Review, the MARS Group and the Cultivation of Middle Class Audiences for Modernism in Britain, 1933–1940’, Journal of Design History, 29(4), pp. 350–365. Available at: https://doi.org/10.1093/jdh/epw025.

Koolhaas, R. (1994) Delirious New York: a retroactive manifesto for Manhattan. New ed. New York: Monacelli Press.

Krivý, M. (2010) ‘Industrial architecture and negativity: the aesthetics of architecture in the works of Gordon Matta-Clark, Robert Smithson and Bernd and Hilla Becher’, The Journal of Architecture, 15(6), pp. 827–852. Available at: https://doi.org/10.1080/13602365.2011.533549.

Labio, C. (2015) ‘The Architecture of Comics’, Critical Inquiry, 41(2), pp. 312–343. Available at: http://www.journals.uchicago.edu/doi/abs/10.1086/679078.

Lancaster, O. (1975) A cartoon history of architecture. London: J. Murray.

Lange, S. (2007) Bernd and Hilla Becher: life and work. Cambridge, Mass: MIT Press.

Le Corbuiser (1970) ‘Three Reminders to Architects’, in Towards a new architecture. London: Architectural Press. Available at: https://contentstore.cla.co.uk/secure/link?id=7299bb6a-f29d-e711-80cb-005056af4099.

Le Corbusier (1967) The radiant city: elements of a doctrine of urbanism. Orion Press.

Le Corbusier et al. (2007) Le Corbusier: the art of architecture. Edited by A. von Vegesack and M. Kries. Weil am Rhein: Vitra Design Museum.

Le Corbusier and Museum of Modern Art (New York, N.Y.) (2013) Le Corbusier: an atlas of modern landscapes. Edited by E. Hall and J.-L. Cohen. London: Thames & Hudson.

Léger, F. (2016) Fernand Léger: painting in space. Edited by K. Baudin-Reneau. Cologne: Museum Ludwig.

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L’Esprit nouveau (1968). New York: Da Capo Press.

Lutz Robbers (2016) ‘Without Pictorial Detour: Benjamin, Mies and the Architectural Image’, FOOTPRINT, 10(1), pp. 27–50. Available at: https://doi.org/10.7480/footprint.10.1.976.

Lynch, K. (1960) The image of the city. Cambridge, Mass: MIT Press.

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Macarthur, J. (2009) ‘Townscape, anti-scrape and surrealism: Paul Nash and John Piper in “The Architectural Review”’, The Journal of Architecture, 14(3), pp. 387–406. Available at: https://doi.org/10.1080/13602360903027988.

Malpas, J. and Jacobs, K. (2016) ‘Place, space, and capital: The landscapes of Patrick Keiller’, Environment and Planning D: Society and Space, 34(6), pp. 1132–1149. Available at: https://doi.org/10.1177/0263775816654474.

Mario Carpo (2011) ‘The Craftsman and the Curator’, Perspecta, 44, pp. 86–200. Available at: https://www.jstor.org/stable/41662949.

Michelson, A. (ed.) (1984) Kino-eye: the writings of Dziga Vertov. London: Pluto.

Moholy-Nagy, L. et al. (1973) Painting, photography, film. Cambridge, Mass: MIT Press.

Muthesius, H. and van de Velde, H. (1914) ‘Werkbund Theses and Antitheses’, in Programmes and manifestoes on 20th-century architecture. London: Lund Humphries, pp. 28–31. Available at: https://contentstore.cla.co.uk/secure/link?id=bf97b8b9-e692-e711-80cb-005056af4099.

Nairn, I. (1955) Outrage. London: Architectural Press.

Nairn, I. (1964a) Modern buildings in London. London: London Transport.

Nairn, I. (1964b) Your England Revisited. London: Hutchinson.

Nairn, I. and Hatherley, O. (2013) Nairn’s towns. London: Notting Hill Editions.

O’Regan, T. (2013) ‘Reception and Exposure in Architecture, Film and Television’, Architectural Theory Review, 18(3), pp. 272–278. Available at: https://doi.org/10.1080/13264826.2014.875611.

Pamphlet architecture 1-10 (1998). New York: Princeton Architectural Press.

Pardo, A. and Redstone, E. (eds) (2014) Photography and architecture in the modern age. London: Barbican Art Gallery.

Parnell, S. (2012) ‘AR’s and AD’s post-war editorial policies: the making of modern architecture in Britain’, The Journal of Architecture, 17(5), pp. 763–775. Available at: https://doi.org/10.1080/13602365.2012.724858.

Parnell, Steve (no date) ‘Nairn mania’, The Architectural Review, 235(1407), pp. 118–119. Available at: https://www.proquest.com/trade-journals/nairn-mania/docview/1526401685/se-2?accountid=14511.

Patrick Keiller (2003) ‘London in the Early 1990s’, AA Files, (49), pp. 20–24. Available at: http://www.jstor.org/stable/29544745?seq=1#page_scan_tab_contents.

Pavel, T. (2006) ‘Result: Best Completion’, in Barcelona-Pavillon: Mies van der Rohe & Kolbe : Architektur & Plastik [Architecture and Sculpture]. Berlin: Jovis, pp. 18–33.

Pevsner, N. (1960) Pioneers of modern design: from William Morris to Walter Gropius. [Rev. ed.]. Harmondsworth: Penguin.

Pevsner, N. (1966) ‘The Anti-Pioneers’, in S. Games (ed.) Pevsner: the complete broadcast talks : architecture and art on radio and television, 1945-1977. Farnham, Surrey, England: Ashgate, pp. 473–484. Available at: https://contentstore.cla.co.uk/secure/link?id=8935f723-6e98-e711-80cb-005056af4099.

Pommer, R. and Otto, C.F. (1991) Weissenhof 1927 and the modern movement in architecture. Chicago: University of Chicago Press.

Powers, A. (2004) The twentieth century house in Britain: from the archives of Country Life. London: Aurum.

Rattenbury, K. (2002) ‘Naturally Biased: Architecture in the UK Press’, in K. Rattenbury (ed.) This is not architecture: media constructions. London: Routledge, pp. 136–156.

‘Research Centre for Experimental Practice at the University of Westminster Archigram Archival Project’ (2013) Journal of the Society of Architectural Historians, 72(2), pp. 271–272. Available at: https://doi.org/10.1525/jsah.2013.72.2.271a.

Riley, T., Perrella, S., and Arthur Ross Architecture Gallery (1992) The international style: exhibition 15 and the Museum of Modern Art. New York: Rizzoli International.

Robinson, E. and Geologists’ Association (1984) London : illustrated geological walks: Bk.1. Edinburgh: Published to celebrate the 125th anniversary of the Geologists’ Association by Scottish Academic.

Rossi, A. and Eisenman, P. (1982) The architecture of the city. Cambridge, Mass: MIT Press.

Royal Academy of Arts (Great Britain) (2014) Sensing spaces: architecture re-imagined. Edited by K. Goodwin and P. Ursprung. London: Royal Academy of Arts.

Rugoff, R. et al. (2008) Psycho buildings: artists take on architecture. London: Hayward Publishing.

Sadler, S. (2005) Archigram: architecture without architecture. Cambridge, Mass: MIT Press.

Sant’Elia, A. (1914) ‘Manifesto of Futurist Architecture’, in Futurist manifestos. New ed. London: Tate, pp. 160–172. Available at: https://contentstore.cla.co.uk/secure/link?id=a07c26ef-70a3-e711-80cb-005056af4099.

Scheerbart, P. (1914) ‘Glass Architecture’, in Programmes and manifestoes on 20th-century architecture. London: Lund Humphries, pp. 32–33.

Simmel, G. (1903) ‘The Metropolis and Mental Life’, in G. Bridge and S. Watson (eds) The Blackwell city reader. 2nd ed. Chichester: Wiley-Blackwell, pp. 11–19. Available at: https://contentstore.cla.co.uk/secure/link?id=98434a3b-3c99-e711-80cb-005056af4099.

Smet, C. de et al. (2005) Le Corbusier, architect of books. Baden, Switzerland: Lars Müller.

de Smet, C. (2012) ‘'Beware the Printer!’: Photography and the Printed Page’, in Le Corbusier and the power of photography. London: Thames & Hudson, pp. 54–79.

Smith Wergeland, E. (2016) ‘Review: Architecture in Comic-Strip Form’, Journal Of The Society Of Architectural Historians, 75(3), pp. 381–382. Available at: https://doi.org/10.1525/jsah.2016.75.3.381.

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